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El Greco Bubende Maria Magdalena oil painting reproduction


El Greco

Bubende Maria Magdalena

Date c. 1580(1580) Medium Oil on canvas cjr
Painting ID::  87574
 

 

Georges de La Tour Bubende Maria Magdalena oil painting reproduction


Georges de La Tour

Bubende Maria Magdalena

Date 1625-1650 Medium Oil on canvas Dimensions 133,4 x 102,2 cm cjr
Painting ID::  87581
 

 

Georges de La Tour Bubende Maria Magdalena oil painting reproduction


Georges de La Tour

Bubende Maria Magdalena

1628-1645 Medium oil on canvas Dimensions 113 x 93 cm (44.5 x 36.6 in) cyf
Painting ID::  91570
 

 

Francesco Hayez Bubende Maria Magdalena oil painting reproduction


Francesco Hayez

Bubende Maria Magdalena

1825 Medium oil on canvas Dimensions 118 x 150 cm (46.5 x 59.1 in)
Painting ID::  98326
 

 

Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
Bubende Maria Magdalena
1825 Medium oil on canvas Dimensions 118 x 150 cm (46.5 x 59.1 in)

        
   
 

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